Spirit 3: the Holy Books

Humans need stories. We have always needed stories. And stories can take many forms, from fables to myths to fairy tales.

I could tell a bedtime story to my children this evening, something about a llama prince in love with a crab princess, and they would laugh and smile, and that story would exist for that moment only, then forever be forgotten. Or perhaps I could tell them this story every night, until it becomes an unforgettable part of their childhoods, something they remember forever, and then they could re-tell it to their own children, and it could take on a form of its own as they alter the details and change it just so. Or I could even write it down, with or without pictures, and then it becomes more permanent, something read and re-told exactly as I wanted it, and then in future generations, it is re-interpreted, given its own life by those who read it. And if I published this story, well, it takes on a life of its own.

I’m much more likely to tell my kids a story I already know. The Three Little Pigs, perhaps. Someone made that up along the way and it became an American staple, this story of pigs being pursued by wolves. The basic details stay the same: houses of straw and stick and brick, but many parts change. Sometimes the pigs have a mother. Sometimes the pigs are eaten by the wolf. Sometimes the wolf is scared away and other times he falls into a boiling pot down the chimney. The story exists in the American consciousness, it is given life by a shared psychic energy, an astral reverence among millions of people. And it all depends on which version is used.

But then imagine they believed the 3 Little Pigs was true, based on real events…

Even stories that are written down are interpreted and absorbed differently by the public. Think of the world’s most famous works, told and retold and retold again. The Wizard of OzRomeo and Juliet. Moby DickLittle Women. To Kill a Mockingbird. The Manchurian Candidate. The Handmaid’s Tale. Uncle Tom’s Cabin. Huckleberry Finn. Pride and Prejudice. And even more recent works: Harry Potter, Twilight, 50 Shades of Grey. These stories are revered, held sacred, they are frozen in time and reinterpreted, examined and taught in classrooms, sometimes they are even forbidden. They’ve taken on a life of their own. Humans need these stories to latch on to. They give us a shared reality, something to think over and whisper about. But we still see them as fiction–what if these were believed to be real, any one of them?

To make it even more complex, humans tell stories frequently about real events and other humans. But the stories change in the retelling… they take on new forms as events shift. Minor characters become major, certain things get forgotten, and we remember events as they were told to us, taught to us. They become fiction in the retelling, yet we often believe them as fact.

And then there is the greatest story ever told, the long epic of the Bible. Some humans, long long ago, gathered stories and put them in a book, and that book came to be revered as mythological canon, as human historical events. The book told of the creation of earth and man, it conjured a loving god who would destroy civilization when crossed wrong. It told of angels and devils, floods and famines, plagues and enslaved races. The book outlines strict laws, harsh commandments, and the laws of god that will lead to salvation if followed or damnation if set aside. And then there is a savior, the son of god himself, who saves all mankind and dies for their sins. Miracles abound for those who follow the rules. This book has shaped the human consciousness for centuries. Wars have been waged in its name, people put to death over it, entire races subjugated or even wiped out in genocide by those who profess to follow it. It’s been rewritten, reinterpreted, and reissued millions of times. It’s stronger than government, than family bonds, than human history. It is sheer power. While the other mythologies of gods have faded away (Norse and Egyptian and Celtic and so many more), the Bible has cemented its place firmly. There are around 7 billion people on the planet, and nearly 3 billion of them believe in the Bible in some form or another. Something around 40 per cent of human revere this historical book and interpret it as fact, in some form or another. But there are another 2 billion or so who identify as Muslim and believe in different books and mythologies. Another 500 million or so lean toward Buddhism, and another 900 million toward Hinduism. And every one of them can be divided down and down into different sects and branches. There are thousands of ways to be a Christian, for example, from Methodist to Lutheran to Amish to Catholic. And they all, every one of these groups, say they have it right.

And one of the newest and smallest Christian groups is the one I was born into. Mormonism. The founder of the church, Joseph Smith, introduced multiple new books of scripture, words on pages that would take on their own life in the human consciousness. The Book of Mormon (a supposed record of the ancient Americans), Doctrine and Covenants (supposed revelations given to Smith from God), and the Pearl of Great Price (a supposed record of the words of Abraham, Moses, and others). Smith and the Mormons reinterpreted all the rules, put a new spin on it, and said they had everything correct and the others didn’t.

As of 2019, there are an estimated 15 million Mormons on the earth, though clearly not so many active in the faith. An astounding number, it seems, until one does the math. 15 million out of 7.5 billion. Mormons make up… ready? 0.002 per cent of the world’s population. Not even half of one per cent. Not even half of a half of one per cent.

These books, these religious stories, held such a sway over my life, such a thick and heady force they were in my brain, that they shaped my entire psychology, biology, and spirituality for the first three decades of my life. It was only at age 32 when I allowed my doubts to take form and I chose to step away. As with all things, I look back at the things I used to believe and my brain curdles. I’m an educated man, yet I believed in two humans in a garden who were immortal until they ate an apple after being tempted by a snake; the appearances of angels with swords who destroyed cities; an entire planet wiped out by flood waters except for one man and his family who put two of every land animal on one boat; about the righteous white tribe conquering the evil dark tribe; about unseen buried golden plates; about immaculate conception and one man bearing the sins of billions. While I respect the rights of others to believe in their mythos, I see these events as nothing more than stories now. Powerful stories, yes, but not powerful enough to make me sacrifice my own happiness.

I love telling stories. I love reading stories. I love sharing stories with my children. But I will never again teach them that fiction is fact, and I will never place stories above their well-being and my own.

Asking for Money

money

I hate asking for money. I’ve never been the type to ask for money. I’ve always been the kid who paid his own way and who contributed to others.

As a teenager, I worked after school to save up money for my mission. On occasion, I would slip extra money into my mother’s purse to help her pay for groceries. Sometimes at work, I would clock out early and keep working because I felt like it would help the owners out. I even made a deal with my local comic book shop where I would work for free and be paid in comic books, so I could keep reading them without spending money.

In college, I used student loans for my tuition and books, and I had a full time job to pay for my housing, meal plans, transportation, and leisure. It took me years to pay all those off. Even now, in my 30s, I run my own business and pay all of my bills on time, helping out others when I can.

I don’t think I’ve ever, as a standard, asked for a cent or expected anyone to provide for me.

But making art is impossible without money.

Years ago, I wrote a comic book. I hired artists myself and printed the book myself. But when expenses ramped up, I asked for financial help for the first time. I ran a campaign through the website Kickstarter and promised people prizes in exchange for donations to printing the book. I was able to raise about $1000 of the $5000 I needed to print the book, then I charged the rest on my credit card. The money I made from book sales barely paid my card off. Overall, it was an exhausting process, but I got to see my book in print and share it with others, and it was one of the best experiences of my life. Now, a few years later, the Mushroom Murders remaining copies fill boxes in my basement.

And now I’ve reached a place where I’m not asking for $5000, I’m asking for a few hundred thousand dollars. I’m making a movie, and movies take money.

A few years ago, I discovered a forgotten man, a gay Mormon guy who was violently tortured and killed for being gay, back in the late 1980s. No one remembers him, and I want him to be remembered, because he was special and authentic and his life was cut short, and because no one ever deserves to die like that. I started seeking out his loved ones. I researched the lives of the men who killed him, and I started meeting their loved ones as well. The story is insane, with so many twists and turns. It’s a story about being gay and Mormon, about murder, about the death penalty, about miscarriage of justice. It’s a story about people whose lives were altered forever because they lost a loved one, or they saw a loved one go to jail, and it’s a story about how they moved on with their lives and yet how they never moved on.

The last few months, I’ve travelled all over Utah, and into Nevada and into Montana (where I write this from) to interview these amazing, brave people. I have a professional film crew at my side, talented filmmakers with top-notch equipment, and they believe in the project too.

Making this movie fills me with passion and creativity. All of my skills, as a father, as a social worker, and as a writer, come to the forefront as we tackle this wonderful and painful project. I shed tears and my heart aches as I weave these pieces together, but I come alive doing it because it is work that simply must be done.

This is a story that has changed my life, and has placed an entirely new path before me. This is a story that can change the lives of others, one that when they view it will alter their views, make them reach out to their loved ones with messages of ‘I love you’, one that will help them live for today and want to make a difference in the world.

Yet, without money, I’m self-funding the project, charging trips to my credit card because I believe in it, because I believe in myself. With this approach, the project will take years instead of months. And facing that fact gives me angst and anxiety.

And so a big part of my journey in 2017 has been learning how to ask for money. I’ve had dozens of meetings with influential people who I hope will share my passion on the project. I’ve enthusiastically and passionately described my journey and the told the story with conviction. And literally every one of those dozens of meetings has ended the same way. Every person has said some variation of this:

“Wow, Chad, this story must be told, and you are the one to tell it. I don’t think I can help you, but I think I know someone who can. You need to speak to this person. Let me get back to you.”

And then crickets. Silence. Attempts at follow-up resulting in avoided phone calls, unanswered texts and Emails, and general silence.

Yet still, I’m moving forward. The interviews we are gathering on film are so authentic and powerful and real, and we will keep going forward.

Asking for money is painful and aggravating. It’s so difficult to not get discouraged. I keep finding ways to maintain my passion and enthusiasm. It feels like going through an endless maze and I just keep hitting dead ends, requiring me to retrace my steps and find new paths only to hit more dead ends. I’m determined, and I won’t quit, but I find myself regularly stalled and flummoxed when I want to be moving forward, ever forward.

And this, I realize, is the plight of the artist, the dreamer. Every writer, actor, musician, conductor, filmmaker, painter, sculptor, public speaker, and inventor who has a similar passion has to find a path forward against the odds until they find someone who shares their passion. They want a platform, an opportunity, and a benefactor to help them live their dreams.

I won’t quit. And I’ll keep asking. Because the alternative is not asking, which means the dream dies.

And this story must be told. I’m honored to be telling it.