Tarot

I never thought I’d be back here.

When I came to New Orleans a few years ago, on a random night, I’d ended up in a voodoo shop where a man read my coconut shells while channeling the spirits of the Congo. It had cost forty dollars, and despite my entering the room with a lot of skepticism, I had had a surprisingly spiritual experience.

And now I was here on a weekend away with my boyfriend, and when we walked by the same voodoo shop, I thought it might be great to get my fortune told again. The woman behind the desk told me that the psychic this evening was “Jacob, who does Tarot readings.” She told me it would be a five minute wait, swiped my credit card, and invited me to explore the store. So for the next thirty minutes, I looked at small statues representing patron saints, examined various beads and charms, smelled rows full of incense, and flipped through a book on “psychic defenses” and one on “animal totems”. It all felt very Harry Potter somehow.

And then, finally, it was my turn. Jacob invited me into the back room, the same place I had had my coconut shells read years earlier. I took a seat across the small table, covered in a white table cloth, and Jacob sat to face me as Mike sat to my side. Jacob was probably thirty. He was handsome, in a billowy white shirt and with long shoulder-length chestnut hair. He wore a white bandana around his head. He had kind eyes and uneven teeth. He shuffled the cards idly as he talked.

“Have you ever had your tarot cards read before?”

“I haven’t.”

Jacob explained that he tended to provide the best guidance for those who were seeking general counsel in a particular area of their life. He had a slight Southern drawl. “You could look for advice regarding what to do about a relationship or a career decision or something more personal. Then the cards will help determine a particular path for you to move forward with. What area would you like to focus in on?” He shuffled again.

I spoke without hesitation. I hadn’t given it thought earlier, but there was only one area in my life I needed guidance on. “I need to know where to place my creative energy. I’ve had an incredibly fulfilling creative year with multiple ventures, but I’m finding my efforts are either yielding small results or moving into spaces where I have to wait for months upon months for other people to keep commitments and obligations. I have a lot of creative energy and I don’t know where to place it.”

Mike grinned. “I knew you were going to say that.”

Jacob gave me a solemn nod then shuffled the cards a few more times, seemingly centering himself. He looked down and breathed evenly. I found myself wondering what his day-to-day life was like. He was almost certainly gay, and working as a tarot reader on Bourbon Street by night. He pulled cards from the deck and placed them on the table.

The Moon card went first, placed upside down in the center. Then the Tower (upside down) and the Ace of Swords (right side up) on either side of it. Above that, the Four and Six of Wands. Jacob took a long look at the cards and gave a frustrated sigh at the placement of the first two cards. He considered things for a long moment, and then began to explain.

The Moon card, he explained in great detail, pointing out the various images on the card and what they stood for, represented being lost in the darkness and struggling to find a path. He described the chaos of this path, and all of the influences that kept the person in the darkness, but he pointed out that since the card was flipped over, it meant that the way ahead would soon be clear, and the path out of the darkness soon revealed. He went on to talk about the Tower card and its placement, ultimately stating that it represented a sudden and chaotic shift, and he believed that for me, this meant a positive shift, with something bearing fruit in the near future.

Jacob reviewed the other cards, and they felt more vague in their interpretations to me, but as he spoke, he gave indirect advice. He encouraged me to be patient with current projects, and then challenged me to find a new venture, a new space to put my current creative energy toward, with the idea that it is more likely to be successful. He recommended a more personal venture, something breaking ground that I might have been afraid to face before.

As he concluded his reading, Jacob inquired what my past ventures had already been.

“I’ve had a number of big projects, some which have fallen to the wayside with little success,” I stated, remembering my in-depth research into the LGBT YouTube channel I had run and, well, this blog. “And others have had some rudimentary success, such as a published comic book and memoir, both with great reviews, and a documentary that I spent years making that is now finished. All of these have fallen into categories where I have to wait for others to pull through before I can continue, like literary agents, film editors, and fundraisers. I’ve interfaced with a lot of incredible people, but ultimately the speed at which things go is out of my control.”

Jacob nodded, listened, then spouted off more advice about not losing hope, trying new things, and going to new places, and I felt myself grow more frustrated with each word. Soon the tarot reading was over and he shook my hand, asking if I had any questions, and I said no.

Mike and I walked out of the voodoo shop and down the street, talking about what it must be like to be a tarot reader. “It’s probably a lot like doing therapy,” he said. “This guy has to learn his cards and how to read them, and then the real skill comes in how to interpret them for the individual in front of him.”

I realized there was some truth to this. He could have used those same cards, the Moon and the Tower and the others, to talk about relationships or careers, life choices and existential crises. And, I realized, that more than anything, the reading had brought to the surface my feelings of frustration and stagnancy. I was walking away wrestling with things that I hadn’t given voice to in some time. And, well, when I do therapy, that is how many of my clients leave the room, facing their own demons.

We kept walking. I looked up and couldn’t see the moon. The sky was dark and cloudy, and light rain dripped down on me. The Moon card flashed back into my brain and I pictured myself on that path, looking for the light. Maybe there was something to this Tarot business. Or maybe I was just searching for a path to be on.

TarotMoon

the Supper Club

empty-stage-and-micThe walls are purple, and I think what an interesting choice.

I can picture Liberace on the stage years ago, Freddie Mercury and Mae West and Judy Garland and Cher and the Solid Gold Dancers and Joan Rivers, perhaps Merv Griffin and Paul Lynde. I can picture the crowds of men in Palm Springs, gay men who are out and proud, laughing with the wine and beer flowing. Drag shows and thick curtains, late nights and cocaine, alcohol and dancing.

I imagine what Palm Springs must have been like back then, the freedom, the glamour of it all, out and gay, colorful and sexy and exhausting, all those men tired of hiding and now there and free to be themselves.

I’m in a “supper club” in early January, 2016, in Palm Springs, California, and a smile comes to my face as I picture what this place used to be, and then I look at what it is now. Times have changed. Gay people are out everywhere, and with new phone apps they no longer have to go to clubs and bars and health spas to meet each other. But this place has that feel to it, still here, still entertainment-focused, but with such a different feel.

I look over the crowd. Mostly older, and an even mix of gay and straight couples, most of them likely tourists here on the close of their vacations. A couple in their 70s with Irish accents sits at the table next to me, both small and thin, and they have finished a bottle of wine between them. At the table just behind me, an older gay man is loudly telling his friends about meeting a younger man “on the Internet”, something he apparently vowed he would never do, and he boasts at how the sex was amazing. An older couple sits behind me, a man and a woman, who are talking to their gorgeous adult daughter, lauding her for her success as an interior designer.

The waiter makes his way from table to table, clearing plates and refilling drinks. I order something yummy and sweet and cleverly named, and my date gets a glass of wine, and it’s clear the show is about to start. I haven’t been to a stand-up comedy performance in years. My date and I have been seated right next to the stage. I take a sip of my drink and lean over, whispering, “you know the comedian is totally going to make fun of us, right?”

A few minutes later, a woman in her early 50s comes on stage and delivers her routine, something you can tell she has done for years before. She cracks jokes about her difficult past, her daughter being on the straight and narrow, and her judgmental mother who now has selective Alzheimer’s, and closes with a long joke about her grandmother giving her sex advice. It’s corny and fun, and I find myself laughing good-naturedly.

A heavyset man in his late forties comes out next, with his opening line “Hello, gays and gals, I’m only gay on the weekends.” He tells jokes about growing up Jewish and gay and spends plenty of time looking around the crowd, interacting with them and making fun of them. Most of the crowd is buzzed on alcohol now and they are laughing hysterically at the jokes made at their own expense. The elderly Irish couple keep speaking loudly, interrupting his routine, and the comedian takes it in stride, teasing them but being sweet and kind.

“Well, now, who do we have here?” The comedian takes a look at my date and I at our table. “They put you two right up front for me, how nice.” Throughout the evening, he keeps referencing us, talking about us in between his jokes. “I can’t decide which one I want to take home and tie to a chair. Either of you want to volunteer?” Another time, he winks at me, and says “See you after the show.”

Toward the end of his routine, the comedian performs a hilarious version of “Somewhere Over the Rainbow”, as if an overly excited auditioner on a reality television show were singing it. He steps off the stage and promptly sits in my laugh, wooing me a bit to the delight of the audience.

And then soon the show is over. The supper club with the purple walls begins to clear out as people gather their coats, empty their drinks, and head to the door, laughing. I take a moment to sit there, surveying the room, wondering about the history of the place again, getting lost in time for a moment. I once had a psychic tell me that when I enter a building, I bear with me the entire history of the place and the people who dwelt there, and a smile crosses my face as I realize that I’m doing it again, whatever it is.

On my way out, I stop to shake the comedian’s hand, expecting him to flirt again, but he is suddenly very  mild-mannered. He shakes my hand, gives a grin, and says, “I hope you enjoyed the show”, and I realize that he is very different off-stage than he was on.

I take one last look at the purple walls, feeling all of the joy that has been had here, and I wonder what the room is like when it is quiet, when the business closes and all that is left is the history of the night before and the coming of the next show. I carry that history with me as I step into the chilly air outside.