homosexuals on Nickelodean

bewitched-cartoon-opening

When I was 13 years old, I watched Nick at Nite nearly every night. Classic television shows, hilarious and entertaining. And I sought out other classic shows, watching them wherever I could. The Jeffersons. The Dick Van Dyke Show. The Mary Tyler Moore Show. The Brady Bunch. Bewitched. My Three Sons. The Donna Reed Show. Hollywood Squares. I Dream of Jeannie. The F Troop. Get Smart. The Carol Burnett Show. I Love Lucy. 

I didn’t watch a lot of modern television at the time. I was a good little Mormon kid who tried to keep things clean in my head and heart, and shows like Blossom and Friends were just too racy.

It must have been obvious to at least  few people that I was gay. I hated sports and was excessively creative, writing stories and planning parties, designing family activities and making treasure hunts for friends. Looking back, the signs were so clear. I looked longingly at boys in my class that I had a crush on quietly while the straight guys were cracking sex jokes about the girls they liked. In my mind, I had plans for a happy little Mormon home growing up, where I would have a wife and kids and pictures of Jesus and the temple on the wall.

And then Ellen Degeneres came out of the closet, and the world went nuts. Then Rosie O’Donnell. There must have been more, but the public controversy surrounding these two was enormous, they were names known in my household, and the world around me, in my small Mormon community, acted with disgust. I heard rumors about Ricky Martin, but no he couldn’t be gay.

More stars started coming out of the closet, and there was a general feeling of ‘ew, gross’ from everyone around. My ears perked up, and I began to associate, even more, with homosexuality being something disgusting, which meant I was disgusting. There were rumors about a couple down the street being gay, two women who lived together, and the kids in my high school scoffed. There was talk from people at church about God creating AIDS to help wipe out the gay population.

And adults longed for the morality of Hollywood years ago, with wholesome movies and movie stars who promoted family values. Only, some of these famous stars began dying of AIDS, and their attractions to men were being revealed. Rock Hudson. Liberace. Anthony Perkins. Freddie Mercury. And Robert Reed.

I had felt like I was the only one in the entire world. I had no idea my sister one bedroom over was also gay. I had no idea friends in my high school were gay. I had no idea that the world estimated 10 per cent of the population was gay.

But Robert Reed? Mike Brady, the father on the Brady Bunch, was gay. The epic father figure of the family that showed up in everyone’s households for decades, he was gay. I filed that away in my brain, unable to process it, for a very long time.

And it was only this past year that I dusted it off, and I began researching. Turns out I wasn’t alone at all. All those shows I grew up watching? They were full of gay people, and I had no idea.

Dick Sargent, who played Darren Stevens on Bewitched, was gay. Richard Deacon, who played Mel Cooley on the Dick Van Dyke Show, was gay. Paul Lynde, who played Uncle Arthur on Bewitched, was gay. Sherman Helmsley, who played George Jefferson on the Jeffersons, was gay. George Maharis of Route 66, Charles Nelson Reilly of What’s My Line?, Richard Chamberlain of Dr. Kildare, Maurice Evans of Bewitched, Edward Mulhare of the Ghost and Mrs. Muir, Nancy Kulp of the Beverly Hillbillies, Alan Sues on Laugh-In, Hayden Rorke on I Dream of Jeannie, George Takei on Star Trek, Jim Nabors on Gomer Pyle. And more and more and more.

The list of Hollywood stars grows even longer.

Somehow it brings me comfort, looking back to those days a lonely teenager and feeling all alone, realizing that the old television shows I found comfort in were full of gay people. I wasn’t quite so alone after all.

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the Supper Club

empty-stage-and-micThe walls are purple, and I think what an interesting choice.

I can picture Liberace on the stage years ago, Freddie Mercury and Mae West and Judy Garland and Cher and the Solid Gold Dancers and Joan Rivers, perhaps Merv Griffin and Paul Lynde. I can picture the crowds of men in Palm Springs, gay men who are out and proud, laughing with the wine and beer flowing. Drag shows and thick curtains, late nights and cocaine, alcohol and dancing.

I imagine what Palm Springs must have been like back then, the freedom, the glamour of it all, out and gay, colorful and sexy and exhausting, all those men tired of hiding and now there and free to be themselves.

I’m in a “supper club” in early January, 2016, in Palm Springs, California, and a smile comes to my face as I picture what this place used to be, and then I look at what it is now. Times have changed. Gay people are out everywhere, and with new phone apps they no longer have to go to clubs and bars and health spas to meet each other. But this place has that feel to it, still here, still entertainment-focused, but with such a different feel.

I look over the crowd. Mostly older, and an even mix of gay and straight couples, most of them likely tourists here on the close of their vacations. A couple in their 70s with Irish accents sits at the table next to me, both small and thin, and they have finished a bottle of wine between them. At the table just behind me, an older gay man is loudly telling his friends about meeting a younger man “on the Internet”, something he apparently vowed he would never do, and he boasts at how the sex was amazing. An older couple sits behind me, a man and a woman, who are talking to their gorgeous adult daughter, lauding her for her success as an interior designer.

The waiter makes his way from table to table, clearing plates and refilling drinks. I order something yummy and sweet and cleverly named, and my date gets a glass of wine, and it’s clear the show is about to start. I haven’t been to a stand-up comedy performance in years. My date and I have been seated right next to the stage. I take a sip of my drink and lean over, whispering, “you know the comedian is totally going to make fun of us, right?”

A few minutes later, a woman in her early 50s comes on stage and delivers her routine, something you can tell she has done for years before. She cracks jokes about her difficult past, her daughter being on the straight and narrow, and her judgmental mother who now has selective Alzheimer’s, and closes with a long joke about her grandmother giving her sex advice. It’s corny and fun, and I find myself laughing good-naturedly.

A heavyset man in his late forties comes out next, with his opening line “Hello, gays and gals, I’m only gay on the weekends.” He tells jokes about growing up Jewish and gay and spends plenty of time looking around the crowd, interacting with them and making fun of them. Most of the crowd is buzzed on alcohol now and they are laughing hysterically at the jokes made at their own expense. The elderly Irish couple keep speaking loudly, interrupting his routine, and the comedian takes it in stride, teasing them but being sweet and kind.

“Well, now, who do we have here?” The comedian takes a look at my date and I at our table. “They put you two right up front for me, how nice.” Throughout the evening, he keeps referencing us, talking about us in between his jokes. “I can’t decide which one I want to take home and tie to a chair. Either of you want to volunteer?” Another time, he winks at me, and says “See you after the show.”

Toward the end of his routine, the comedian performs a hilarious version of “Somewhere Over the Rainbow”, as if an overly excited auditioner on a reality television show were singing it. He steps off the stage and promptly sits in my laugh, wooing me a bit to the delight of the audience.

And then soon the show is over. The supper club with the purple walls begins to clear out as people gather their coats, empty their drinks, and head to the door, laughing. I take a moment to sit there, surveying the room, wondering about the history of the place again, getting lost in time for a moment. I once had a psychic tell me that when I enter a building, I bear with me the entire history of the place and the people who dwelt there, and a smile crosses my face as I realize that I’m doing it again, whatever it is.

On my way out, I stop to shake the comedian’s hand, expecting him to flirt again, but he is suddenly very  mild-mannered. He shakes my hand, gives a grin, and says, “I hope you enjoyed the show”, and I realize that he is very different off-stage than he was on.

I take one last look at the purple walls, feeling all of the joy that has been had here, and I wonder what the room is like when it is quiet, when the business closes and all that is left is the history of the night before and the coming of the next show. I carry that history with me as I step into the chilly air outside.