Homeless

Nun

“This is my brother, Chad!” Sheri said excitedly to her co-workers. She marched me into the call center where she worked, introducing me haphazardly to the employees who weren’t on the phone. “He just flew in from Utah!”

“Chad, it’s nice to meet you!” one of them extended her hand. “I know all about you. Sheri tells me everything. I love your blog!”

I smiled as Sheri rambled on a bit. She talks quickly, full of nervous creative energy constantly. Moments later, she showed me her “fidget” drawer, full of objects she could play with so that she could stay focused on work calls and reading assignments for college. “We have an hour before I work, so I’m gonna show him around a little bit. I think I’ll walk him over to where the homeless guy lives, and then maybe over to the monastery. Then I gave him a list of things he can do tonight while I’m working.”

Sheri gave that weird laugh she sometimes gives although nothing funny had been said. Members of my family do that sometimes, give off a laugh to perhaps fill the silence or to avoid something awkward, though the laugh makes it inevitably more awkward every time. I smiled, remembering how I’d had that habit all through my school years.

Soon we were walking down he hill outside her work at 4 pm, knowing it would get dark in another hour. Sheri asked about my flight in, I asked about her classes, and we discussed plans for the coming days of vacationing together in New England. I enjoy how comfortable I am around Sheri, instinctively. She’s familiar, the sibling closest in age, and the one I had the most in common with.

“So there is this guy who lives underneath the freeway that goes over the dike,” she explained, “and he sets up tables and sells things sometimes. He has this whole section of land to himself. He has like a sleeping area and a cooking area. He is known. People walk through there as a shortcut to the shopping center.”

I found myself smiling. Sheri and I both love random encounters, and we can enjoy most any experience. We got closer down to the encampment and Sheri gave an ‘aww, oh no’ sound. Apparently, the city was changing the local area, taking out trees and building trails. Sheri had heard about it, but hadn’t realized that it might impact her homeless friend. “That’s sad. He’s been there forever. It’s kind of like his home. I wonder where he’ll go?”

We walked by the edge of the area, looking at the concrete pillars covered in graffiti. There were flattened cardboard boxes, a pair of shoes, and a random book, but no either sign of life. “That’s sad,” she repeated, assuming he had already moved on.

We started walking away, back up the hill and across a field toward a local monastery. “Did I ever tell you about the homeless guy from right before I came out of the closet?”

“I don’t think so.”

I breathed in the cold fall New England air, and began telling my story.

“Back when I was Elders Quorum President, I used to have to attend this Bishop’s Council meeting every Sunday morning before church. It would last like 90 minutes, and we’d talk bout ward business, events, members we were worried about, stuff like that. We’d give reports on budget and numbers. Anyway, the Bishop was this older serious farmer businessman guy who was very no-nonsense. One day he noticed that a homeless man had moved into the vacant lot across the fence from the church. There was this giant pine tree, and the man had set up some chairs and boxes underneath there to stay out of the cold. The Bishop was super worried about it.”

We walked up to the monastery as I spoke, and I noticed the stark white statues of the Mother Mary and Christ outside it. Sheri interrupted me, explaining that the church was open to the public, but we had to be silent because nuns lived in the building behind it, and they had taken the vow of silence. I lowered my voice as we walked the perimeter of the grounds.

“The bishop felt we should warn the ward to watch their children around this man. He felt like he could be a danger. He had acted the same way a few months before that when a registered sex offender had moved into the ward, and he had wanted to warn the families not to interact much with him. Anyway, he counseled us to keep an eye on things and said he would get it taken care of.

“During the following week, he contacted the owner of the vacant lot by looking through the records at City Hall. He got permission to go in and chop down the tree. He had the homeless man escorted away and chopped down the tree so no one could come back. All because the man claimed a tree too close to the church.”

On the edge of the grounds, we could see through the tall hedges briefly to behind the monastery. There was a stark white graveyard back there, and one solo nun stood among the graves, arms folded as she surveyed the small plot of land.

“The irony of a church denying a homeless man refuge instead of offering him aid wasn’t lost on me. And then, a few months later, I came out. And I never heard what the bishop said, because I stopped going to church, but I wondered if he worried about me the way he had about the sex offender and the homeless man. I wondered if he had warned people to keep their children from me, to watch me close when I entered the building.”

We walked into the monastery then. It was wide and beautiful, with stained glass Biblical depictions of the life of Christ lining both sides. Two people were there, praying silently on the hard back benches. The old man looked up and waved at me when he heard me enter, then returned to his prayers. A golden shrine of some kind lay at the front of the building, and I watched two nuns leave an offering of some kind and then move off to the side, entering a beeping code into a security device to enter the door that accessed their chambers, presumably. I walked to the front and saw lit candles and a book where civilians could write down the names of those who needed prayers for healing. A note suggested a two dollar donation for the prayer and candle.

Donations for prayers. Vows of silence. Shelter trees being cut down, and the homeless removed from their non-homes. It was all suddenly a bit claustrophobic and I stepped outside, returning to that view of the stark white graveyard, contemplating my old life, and comparing it to the new.

the coexistence of Christianity and homosexuality

I didn’t expect this, not at all.

It is my last day in Los Angeles and I want an adventure, but a quiet one. I’ve been walking the streets, reading, thinking. The biggest thing I needed from this trip was just the opportunity to be anonymous, to be lost in a sea of people. I didn’t need dancing and adrenaline, fancy food or beaches. I needed fresh air and a sea full of people to quiet my brain and balance my spirit. I have been walking streets and following the directions of my heart strings for a few days. My feet are blistered and my shoulders knotted, but I feel wonderful and quiet and at peace. And now I have one day left.

And so I considered my options and chose the Getty. After a long bus ride (well over an hour to go just 10 miles or so), I rode a long shuttle up to the top of a hill and a collection of ornate white buildings and gardens form the J. Paul Getty Museum, an art gallery that is free to the public. Set up in 1954, it has houses variable galleries for people to walk through.

I step away from the crowd’s direction off the shuttle, wanting to be alone with my thoughts. I walk over a cactus garden, look at outdoor sculptures, and get a cup of coffee and a sandwich at an outdoor vending station. It is a picture perfect April day in California, with hills rolling in every direction, dotted with large and opulent homes, and the busy cluster of Los Angeles far in the distance.

After a time, I make my way inside. There are people everywhere. I see college students, families with young children, mothers and daughters, grandparents, gay couples, straight couples, lesbian couples, people from varying ethnicities many not speaking English. They move through the Getty at varying speeds, some stopping to talk in the center of rooms, some staring for ten minutes at one painting, some taking a photo of everything they pass, some speeding through and never looking up from their phones, some asking the staff detailed questions about the works of art.

I spend a long time in a series of galleries devoted to art work from the 1400s through the 1600s, most of it dedicated to the life of Christ. Many of the paintings are extremely explicit. The virgin Mary holds the Christ child with one hand and squirts milk out of her exposed breast into his mouth with the other hand. The devil stands over a group of humans who are engaged in a full on orgy, complete with exposed genetalia. A man slides a hand under a woman’s robe as it falls off of her, baby cherubs flying in the sky. Christ lies on the cross with open wounds, blood draining from his hands and side and head and feet as a group of women sob beneath him.

8679cd32dcda00895b588372c9312085.jpg

I spend two hours in this first gallery, contemplating history, and wondering on the impact of Christianity on the lives and societies of humans, forming churches, pressing morals, setting trends, and influencing governments. I look at this detailed art, its rich and beautiful history, the textures and talents of it all, and feel overwhelmed.

I move into the next bustling gallery, full of photographs in black and white. It’s a startling shift. The images are beautiful. A powerful black male in profile. A stunning naked woman, arms stretched to the sky. A close-up on a drifting sheen of smoke. The photographs hang in every direction, and I wonder about their origins.

I find a sign that tells me all about the photographers/artists, Robert Mapplethorpe and Sam Wagstaff. It tells of their origins, their art and photography, their careers. They were lovers in New York City, it says, until Wagstaff died of AIDS in 1987 at the age of 65, and then Mapplethorpe died of AIDS in 1989 at the age of 42.

robert-mapplethorpe-ajitto.jpg

My mind was spinning. I turned back around and saw the gallery with new eyes, the black and white stills framed in every direction. The same people buzzed through every which way. Couples, straight and gay. Grandparents, adults, children. They gave the gallery every bit the attention that the did the Christian arts and the gardens. My ears perked up, trained to be ready for people muttering about a gay couple getting their own gallery, about the immorality of it all. I wait for someone to be disgusted. And no one is.

What has Utah done to me, I wonder. I remember seeing a ballet just a few weeks ago with two women kissing in the number, and many in the audience turning away, scoffing in disgust, refusing to clap. I remember walking around town holding hands with a guy I was dating and people averting their eyes or giving looks of shock and disgust.

And then I stand here in this spot, in between the arts of Christianity and still photographs. Both galleries have nudity. Both are considered art. Both tell the stories of their painters. These two worlds that Utah tries to balance, art and art, Christianity with homosexuality, and yet here families and children walk through comfortably without notice.

I breathe in deeply, my heart full, and feel a few small tears in my eyes. This is what I needed, a chance to see life here, like this.

It is a feeling I will carry with me when I return.