the Courage to Change the Things I Can

courage

You can paint for hours until the picture meets your standards of perfection, then step back and look upon it with pride. You can hang it in a local art shop with a price tag on it, and tell everyone you know that it is there. You can scroll through the messages of people who say they are proud of you, that they love you, that they envy you for following your dreams. But when you ask most of them if they’ve stopped by to see the painting, you aren’t quite sure what to make of it when they say no, that they’ve been busy, or distracted, or that it’s not about your art and they really don’t look at anyone’s art, but still they’re so proud. And when you watch people walking through the art shop, you realize there are a thousand paintings hanging there, and they all have price tags, and you can’t really do anything to make anyone look at yours and be proud of it like you are. And you certainly can’t make them buy it. So do you sit back and give up? Do you just wait it out, feeling sorry for yourself around the corner in the shadows? Do you keep painting more, hoping another piece will catch on? Do you give up completely, telling yourself that at least you tried? Or do you take what you’ve painted and find a new place to show it? Maybe place a bowl of chocolates in front of it, hang some Christmas lights around it? How much do you believe in yourself? And is the reality of living your dreams worth the work? Is it greater than the cost of not living them at all?

My life lately has been exactly what I’ve always envisioned it would be. As a human, I’m perpetually dissatisfied. (I mean, give a human exactly what it is they want: the million dollars, the perfect relationship, the picket fence, and the month-long cruise, and they are complaining about too much sunshine, not enough leg room, cold food, the kids being too loud, or still having a used car). But I really do work hard on gratitude. I have so much to be grateful for, and I have worked so hard to get here.

And after a few decades of seeing myself as someone incapable of being happy, I’m beyond thrilled to be able to say that I’m living the life that I want, or at least working on it. I have an attentive, kind, and loving boyfriend. I have beautiful children who bring me daily joy. I have enough money to pay for healthy food, basic bills, and some travel. I have a healthy body. I like my apartment, my city, my family. And I’m doing things in my life, professionally and creatively, that inspire passion and hope. I love the projects I’m working on.

But I find myself in a place of stopping and starting, regularly. I will pour a tremendous amount of time and talent into a project (much like the figurative painting mentioned above), and then find myself unable to progress due to others not following through. People say they’ll buy the book when they can, or they have purchased the book and will take months to read it. Local bookstores say they might want to carry it in time. Local radio shows and podcasts say it could be interesting to showcase the book, and that they’ll get back to me in a few weeks. I get stalled, then frustrated, as I feel stunted, ghosted, by those who I wish would show more interest.

All of this is counter-balanced by the fact that many have read my book, and they feel good about it. They have left reviews and said kind words, and it feels like such an honor and joy to hear this feedback. But at the end of the day, I really put myself out there, vulnerably, and I so badly want that to be met with a great success. I want to travel, read out loud, have people read my words and relate to them. I want to help change lives through the sharing of self. And as I wait for others to notice that, I find myself so intensely frustrated.

And, I realize, that is what self-publishing a book takes.

And the documentary, I’ve never done something so worthwhile (professionally). It brings me so much passion. I mean, I am putting myself out there, as part time investigative journalist, part time historian, part time director, part time producer, part time filmmaker/story-boarder/project manager/interviewer/therapist/negotiator. It is an insanely fulfilling and encouraging project, and the end result is going to change lives. But my life in this realm has become, again, about stops and starts. I’m the guy that asks for money and help, that tries to inspire people with passion and necessity, and who gets told over and over, “This project is amazing, I would love to help!”, only to have people go quiet afterwards to the point of avoiding me. This numbers into the dozens now, likely well over one hundred. I go through creative bursts, and then wait for weeks for others to, hopefully, follow-through. I push things as far as I can with time, effort, and energy, and then get stunted.

And, I realize, this is what making a documentary takes.

So I sit back, the gravel in my insides churning to cement, finding myself frustrated with the little things like unreturned text messages, unresolved issues, and unattended events, and then again remember that I’m living my dreams, and that this is part of it.

Then I return to that told familiar mantra. God grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference. 

I have courage in spades. I am a solution finder. A bridge builder. A magic bean buyer. I’ll keep pushing, pressing, asking, and foraging until the projects succeed. That, I can control. That, I can manage. This is the part of the journey where I have arrived at the plateau, and I have to find new paths to keep climbing.

And climb I shall.

Storytime

father-son-holding-hands.jpg

“You guys wanna play storytime?”

I take a seat on the couch as my sons sit on the ground in front of me, eager. It’s nearly nap time and they have full tummies. J, age 6, starts first grade

in a few weeks and is growing more mature and creative every day. A, just barely four, looks up with bright blue eyes, his imagination already spinning tales.

I look down at them, my eyes growing wide to convey excitement, and begin.

“Once upon a time, there were, well, three grasshoppers that lived in a beautiful patch of grass, where they ate leaves. They–”

“What were their names?” J interrupted.

“Well, Ernst, Ferdinand, and Gilgal. And one day a really nice old lady who lived in a house nearby was working in her garden and she saw the three grasshoppers, who were brothers. The woman, whose name was Clementine, thought they were the most beautiful grasshoppers she had ever seen so she asked if she could take them home and they agreed. She put them in a little jar and carried them home, and she made them a nice big home in an aquarium where they could hop up and down all around the aquarium as they grew older. She decorated it with plants, grass, leaves, and sticks, and they were so happy. She fed them every day two times.”

“And then what happened?” A asked, intent.

“Well, one day Clementine got sick and she had to go to the hospital and she couldn’t be there to feed them.”

“Use their names!” J reminded.

“She couldn’t be there to feed Ernst, Ferdinand, and Gilgal. They were so hungry, they were too tired to hop. But the next day, she came home and said ‘I’m home and I’m okay!’ and she fed them some delicious eucalyptus leaves as a special treat and they were so happy, they lived happily ever after.”

Both boys seemed to want more, looking at me expectantly.

“Well, what did you guys think? What were your favorite parts?”

J thought for a moment. “Well, I liked when they ate the leaf.”

A made no effort to hide his disgust. “I didn’t have a favorite part. There wasn’t any bad guys this time.” He’s particularly fond of toothy creatures.

“Okay, J, your turn.”

J and I traded places, he taking his seat on the couch and me moving to the floor next to A.

“Okay, this is a good one,” J started, and he looked up, pressing his lips together tightly like he does when he’s thinking hard.

“Once upon a time there were two sisters named Elsa and Aana, but not the ones from Frozen, some different sisters. They lived with their mom and dad who were gone. And when the sisters were playing one time, a giant giant attacked and the sisters runned into their rooms and were hiding until their mom and dad came home and they had turned bigger than the giant and the house and everything and they stopped the giant who ran away and the sisters were okay. The end.”

I clapped my hands. “Great story! My favorite part was when the sisters were smart and hid in their room.”

A stood up, knowing it’s his turn next. “I liked when the giant mom and dad came in and punched the giant right in the nose and killed him dead!” He punched a little fist into the air.

J, looking proud of himself, climbed down. “Okay, A, your turn!”

A took more effort to climb up onto the couch, pulling himself by his arms and bringing his knees up, pulling his body up, then twisting himself around. I smiled at him as J took a seat by me. A is so big for being so little.

“Okay, here we go. Once upon a time, there was two boys named J and A and a mom and a dad. They lived in a big house. One day, a big big big big big mean mean mean shark came over. Oh, I forgot to tell you that the mom was a mermaid and the dad was at work and the brothers was twins who lived in their mom’s belly. Then the big shark came in and he had a lot of teeth and he was mean and he tried to bite them a whole bunch but the kids popped out of the mom’s tummy and the dad came home and punched the shark til he was dead a lot and then they winned. The end.”

I clapped my hands for him again and J looked up at him proudly.

“Great job! My favorite part was when the dad saved the day!”

“Good job, A! My favorite part was when the brothers came out of her tummy.”

The boys, knowing the routine, climbed up onto my lap for some snuggles, one on each arm, winding down for naps. J, my compassionate and intuitive son, patted my shoulder.

“Aw, you’re a good daddy. You make us breakfast, snuggle us, tuck us in, and play with us. Thanks for everything.”

And soon they are sleeping, and I’m watching their little prone faces breathe peacefully, soft music in the background, and I’m thinking once again how this part of my life is the best thing in the world.