Tag: #congo

Tarot

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I never thought I’d be back here.

When I came to New Orleans a few years ago, on a random night, I’d ended up in a voodoo shop where a man read my coconut shells while channeling the spirits of the Congo. It had cost forty dollars, and despite my entering the room with a lot of skepticism, I had had a surprisingly spiritual experience.

And now I was here on a weekend away with my boyfriend, and when we walked by the same voodoo shop, I thought it might be great to get my fortune told again. The woman behind the desk told me that the psychic this evening was “Jacob, who does Tarot readings.” She told me it would be a five minute wait, swiped my credit card, and invited me to explore the store. So for the next thirty minutes, I looked at small statues representing patron saints, examined various beads and charms, smelled rows full of incense, and flipped through a book on “psychic defenses” and one on “animal totems”. It all felt very Harry Potter somehow.

And then, finally, it was my turn. Jacob invited me into the back room, the same place I had had my coconut shells read years earlier. I took a seat across the small table, covered in a white table cloth, and Jacob sat to face me as Mike sat to my side. Jacob was probably thirty. He was handsome, in a billowy white shirt and with long shoulder-length chestnut hair. He wore a white bandana around his head. He had kind eyes and uneven teeth. He shuffled the cards idly as he talked.

“Have you ever had your tarot cards read before?”

“I haven’t.”

Jacob explained that he tended to provide the best guidance for those who were seeking general counsel in a particular area of their life. He had a slight Southern drawl. “You could look for advice regarding what to do about a relationship or a career decision or something more personal. Then the cards will help determine a particular path for you to move forward with. What area would you like to focus in on?” He shuffled again.

I spoke without hesitation. I hadn’t given it thought earlier, but there was only one area in my life I needed guidance on. “I need to know where to place my creative energy. I’ve had an incredibly fulfilling creative year with multiple ventures, but I’m finding my efforts are either yielding small results or moving into spaces where I have to wait for months upon months for other people to keep commitments and obligations. I have a lot of creative energy and I don’t know where to place it.”

Mike grinned. “I knew you were going to say that.”

Jacob gave me a solemn nod then shuffled the cards a few more times, seemingly centering himself. He looked down and breathed evenly. I found myself wondering what his day-to-day life was like. He was almost certainly gay, and working as a tarot reader on Bourbon Street by night. He pulled cards from the deck and placed them on the table.

The Moon card went first, placed upside down in the center. Then the Tower (upside down) and the Ace of Swords (right side up) on either side of it. Above that, the Four and Six of Wands. Jacob took a long look at the cards and gave a frustrated sigh at the placement of the first two cards. He considered things for a long moment, and then began to explain.

The Moon card, he explained in great detail, pointing out the various images on the card and what they stood for, represented being lost in the darkness and struggling to find a path. He described the chaos of this path, and all of the influences that kept the person in the darkness, but he pointed out that since the card was flipped over, it meant that the way ahead would soon be clear, and the path out of the darkness soon revealed. He went on to talk about the Tower card and its placement, ultimately stating that it represented a sudden and chaotic shift, and he believed that for me, this meant a positive shift, with something bearing fruit in the near future.

Jacob reviewed the other cards, and they felt more vague in their interpretations to me, but as he spoke, he gave indirect advice. He encouraged me to be patient with current projects, and then challenged me to find a new venture, a new space to put my current creative energy toward, with the idea that it is more likely to be successful. He recommended a more personal venture, something breaking ground that I might have been afraid to face before.

As he concluded his reading, Jacob inquired what my past ventures had already been.

“I’ve had a number of big projects, some which have fallen to the wayside with little success,” I stated, remembering my in-depth research into the LGBT YouTube channel I had run and, well, this blog. “And others have had some rudimentary success, such as a published comic book and memoir, both with great reviews, and a documentary that I spent years making that is now finished. All of these have fallen into categories where I have to wait for others to pull through before I can continue, like literary agents, film editors, and fundraisers. I’ve interfaced with a lot of incredible people, but ultimately the speed at which things go is out of my control.”

Jacob nodded, listened, then spouted off more advice about not losing hope, trying new things, and going to new places, and I felt myself grow more frustrated with each word. Soon the tarot reading was over and he shook my hand, asking if I had any questions, and I said no.

Mike and I walked out of the voodoo shop and down the street, talking about what it must be like to be a tarot reader. “It’s probably a lot like doing therapy,” he said. “This guy has to learn his cards and how to read them, and then the real skill comes in how to interpret them for the individual in front of him.”

I realized there was some truth to this. He could have used those same cards, the Moon and the Tower and the others, to talk about relationships or careers, life choices and existential crises. And, I realized, that more than anything, the reading had brought to the surface my feelings of frustration and stagnancy. I was walking away wrestling with things that I hadn’t given voice to in some time. And, well, when I do therapy, that is how many of my clients leave the room, facing their own demons.

We kept walking. I looked up and couldn’t see the moon. The sky was dark and cloudy, and light rain dripped down on me. The Moon card flashed back into my brain and I pictured myself on that path, looking for the light. Maybe there was something to this Tarot business. Or maybe I was just searching for a path to be on.

TarotMoon

Man in a monkey cage

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The sign read:

The African Pigmy, “Ota Benga.”

Age, 23 years. Height, 4 feet 11 inches.
Weight, 103 pounds. Brought from the
Kasai River, Congo Free State, South Cen-
tral Africa, by Dr. Samuel P. Verner. Ex-
hibited each afternoon during September

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On September 8, 1906, the Bronx Zoo in New York City added a new exhibit, a small coffee-skinned African man named Ota Benga. Placed with the monkeys, the man had an open cage to sleep in. Delighted visitors came by the thousands, the tens of thousands, bringing their friends and children to see the African man. Many of the spectators believed him to be some sub-species of man, somewhere on the evolutionary scale between monkeys and human children. And the spectators didn’t just want to see the man, they wanted him to perform. They wanted to see him hunt, play with the orangutan, dance and climb trees. If he hid, they threw rocks against his cage to draw him out. If he sat, they yelled racial slurs and insults to spark him into action, something their children could clap over and tell their friends about later. “Dance, monkey, dance,” they seemed to yell as an adult man sat behind bars, listening to their unfamiliar foreign words, yet their intent all too easy to understand.

Word spread quickly, throughout the country and then internationally: the Americans had an African man on exhibit with monkeys. New York had been a free state long before the Civil War, seeing African American citizens as deserving of equality and equal rights. And now, decades after the Emancipation Proclamation, a man was in a cage.

It took them time to figure out what had happened, and language barriers, direct lies, poor record-keeping, and time have kept many of the details hidden.

The man who came to be known as Ota Benga grew up in the Congo, then under Belgian rule. Under harsh sanctions from the Belgian people, the Congolese tribes were exploited and forced into labor. Samuel Verner, who had served as a Christian missionary in the Congo previously, and who had also spent time in a mental institution, was sent to the Congo to acquire willing men to be brought to America to be put on display at the 1904 World Fair in St. Louis, Missouri. Benga was among them.

A bizarre series of events led to Benga being placed in the Museum of Natural History before he was placed on exhibit at the zoo, exploited and stared at.

Verner told story after story, each contradicting the others, in an effort to make himself sound heroic. He told how he had rescued Benga from slave traders, how Benga trusted only him, how Benga had asked to come to America and be placed on display. Yet in truth, Verner was a swindler and a liar. Not only had he fathered children with women while he was in Africa, he had racked up debts and exploited money. And Benga was not the first Congolese boy he had brought to the United States.

I learned about Benga only recently, when I chose a book about him at random off of a shelf. I read ravenously, devouring the words and images of this story that I had never heard before, these forgotten horrific moments of American history.

How could this have possibly happened, I wondered, in a country that is founded on Christian principles, equality of all men, and dignity of each person. And then I recalled the very founding of our country, a mix of declaring liberty from foreign powers while asserting our foreign power over the Native Americans with violence and blood; a mixture of welcoming foreigners, while building the country on the backs of foreign slaves.

The violent opposition of it all makes my head spin. We who consider ourselves the great democracy, founded on the principles of free speech and choice and religion, the greatest country in the world with equality and opportunity for all, priding ourselves on the American dream, yet we have entire presidential campaigns running on premises of refuting gay marriage, opposing women’s health care options, restricting immigration by building walls, and banning religious groups.

Ota Benga was a small man, but he was not a child nor did he have limited intellect. He had filed his teeth to fine points not because he was a cannibal or a savage, but because that was a custom among his tribe, a rite of passage for men. He communed with the monkeys in the exhibit not because he considered himself one of them, but because they were his only solace and support as the white Americans jeered.

After Benga was released from the zoo, he was taken in by an educated group of black Americans who gave him companionship and work and taught him the language. Benga lived among these citizens, whose ancestors had been forced from their homes to be slaves, belonging and yet not belonging; they had history in America, he was a refugee. It is believed Benga had lost a wife and children in the Congo, a result of cruel white men, before coming to America. He lived in relative isolation here for years, using an American-ized version of his name, Otto Bingo.

Until, in 1916, Benga found a gun and shot himself through the heart, a poetically tragic end to his story.

As I finish this story, and reflect, I’m left to wonder how we, as an evolving society of Americans… how much have we really changed?

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