A Matter of Endorphins

I was uncharacteristically sad yesterday. There wasn’t any reason for it, I was just plain sad. I wasn’t down-in-the-dumps sad. I wasn’t depressed, or grieving, or heartbroken, or lonely. (My word, but there are a lot of beautiful shades of that emotion). I was just… blue. Down. Maybe a little melancholy.

The sadness continued this morning, meaning it lasted around 36 hours. I woke up and went through the motions of using the restroom, washing my hands, brewing my coffee, then reading a bit in a biography while it brewed. But the whole time, I felt like looking out the window and just giving a sigh, like those two kids on the opening page of the Cat in the Hat who can’t play outside because it was raining too hard. A breakfast of Greek yogurt with blueberries, a hot shower, a clean shirt, a hug from my boyfriend, still sad. I blended my lunch of protein powder and fresh vegetables (spinach, carrots, broccoli) then headed into the office, listening to NPR on my way, still sad. I saw my first client and talked about overcoming depression with him, still sad. And then I thought, “Okay, that’s enough. I don’t want to be sad anymore.”

I took a long walk through the park during a quiet hour from work, my office being just a block from a major city park. The birds were singing, there were hot shirtless runners, there was a light breeze, and the sun was shining perfectly. There was a lot to be grateful for. As I felt my body slowly come awake, I felt a familiar stiffness in my bones, and the blood flow through my muscle groups felt amazing. My bones popped, my spine expanded, and my head cleared as I breathed it all in, quickening my pace a bit.

I took a moment to take stock of my melancholy. On Sunday, upon leaving Philadelphia, I’d woken up sad. The night before, I’d had dinner (an incredible mushroom shepherd’s pie), drinks (two Old-Fashioneds), and dessert (chocolate creme brule) with my boyfriend as we listened to incredible live jazz music. I’d felt so alive. But then Sunday morning I’d woken up sad. I packed my suitcase, showered for the day, and then spent four hours at the local art museum before heading to the airport. A two hour wait and a four hour flight basically meant six hours of reading (a new biography on Tennessee Williams), and then finally home. Yet sad the whole time.

And then Monday, healthy food, several hours of work, and then a long evening of play time with my sons, who I hadn’t seen in five days. I gave them new animal toys to add to their toy zoo, a harpy eagle and a sun bear, and we played together in the backyard, laughing and having fun. I made them dinner, we played Twister, they were hyper and silly and it was a wonderful night. But the entire time, still, blue, and knowing it the entire way.

As I walked through the park, I did a little therapy on myself, as I often do when I have something to puzzle out. Were I to come to myself for therapy, with this set of problems, how would I counsel me as a client? What would I have to say? I would ask me to describe the sadness, what kind of sadness it was, and what I had to be sad about. Then I would remind myself that sadness is a natural state, that all humans are sad, even when life is really good.

It’s a matter of endorphins, I would say.

I would remind myself that the brain produces endorphins (serotonin, dopamine, norepinephrine) naturally, but it produces best in optimal conditions, with healthy nutrition and hydration, ample sunlight, low stress, and good sleep. And I would remind myself that if the brain has been producing endorphins at high amounts for a few days in a row, then it is natural for it to produce lower amounts for a period of time afterward, as a balancing measure. It is also normal to have a low when one hasn’t been sleeping well, or has been drinking a lot of alcohol, or has been eating a lot of sugary or salty foods, or has not been exercising. No one gets to be happy all the time, and blue has its place. Blue is safe. Blue is okay.

I just got back from vacation. I ate a lot of food, drank and danced, traveled, and hadn’t slept a full night in several days. Blue was normal, and it didn’t make my life any less wonderful. Even when sad, all of my joys were there: my children, my partner, my work, all of the things that give me balance and happiness. It was a blue hour, or perhaps a blue day, not a blue life.

I finished my walk around the park, ready to resume. I felt a little bit lighter (meaning my brain was producing just a few more endorphins), and I knew that after a nice meal, I would feel even better still. The world around me remained beautiful.

Blue sky, blue water, blue blood, and me.

Blue

the coexistence of Christianity and homosexuality

I didn’t expect this, not at all.

It is my last day in Los Angeles and I want an adventure, but a quiet one. I’ve been walking the streets, reading, thinking. The biggest thing I needed from this trip was just the opportunity to be anonymous, to be lost in a sea of people. I didn’t need dancing and adrenaline, fancy food or beaches. I needed fresh air and a sea full of people to quiet my brain and balance my spirit. I have been walking streets and following the directions of my heart strings for a few days. My feet are blistered and my shoulders knotted, but I feel wonderful and quiet and at peace. And now I have one day left.

And so I considered my options and chose the Getty. After a long bus ride (well over an hour to go just 10 miles or so), I rode a long shuttle up to the top of a hill and a collection of ornate white buildings and gardens form the J. Paul Getty Museum, an art gallery that is free to the public. Set up in 1954, it has houses variable galleries for people to walk through.

I step away from the crowd’s direction off the shuttle, wanting to be alone with my thoughts. I walk over a cactus garden, look at outdoor sculptures, and get a cup of coffee and a sandwich at an outdoor vending station. It is a picture perfect April day in California, with hills rolling in every direction, dotted with large and opulent homes, and the busy cluster of Los Angeles far in the distance.

After a time, I make my way inside. There are people everywhere. I see college students, families with young children, mothers and daughters, grandparents, gay couples, straight couples, lesbian couples, people from varying ethnicities many not speaking English. They move through the Getty at varying speeds, some stopping to talk in the center of rooms, some staring for ten minutes at one painting, some taking a photo of everything they pass, some speeding through and never looking up from their phones, some asking the staff detailed questions about the works of art.

I spend a long time in a series of galleries devoted to art work from the 1400s through the 1600s, most of it dedicated to the life of Christ. Many of the paintings are extremely explicit. The virgin Mary holds the Christ child with one hand and squirts milk out of her exposed breast into his mouth with the other hand. The devil stands over a group of humans who are engaged in a full on orgy, complete with exposed genetalia. A man slides a hand under a woman’s robe as it falls off of her, baby cherubs flying in the sky. Christ lies on the cross with open wounds, blood draining from his hands and side and head and feet as a group of women sob beneath him.

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I spend two hours in this first gallery, contemplating history, and wondering on the impact of Christianity on the lives and societies of humans, forming churches, pressing morals, setting trends, and influencing governments. I look at this detailed art, its rich and beautiful history, the textures and talents of it all, and feel overwhelmed.

I move into the next bustling gallery, full of photographs in black and white. It’s a startling shift. The images are beautiful. A powerful black male in profile. A stunning naked woman, arms stretched to the sky. A close-up on a drifting sheen of smoke. The photographs hang in every direction, and I wonder about their origins.

I find a sign that tells me all about the photographers/artists, Robert Mapplethorpe and Sam Wagstaff. It tells of their origins, their art and photography, their careers. They were lovers in New York City, it says, until Wagstaff died of AIDS in 1987 at the age of 65, and then Mapplethorpe died of AIDS in 1989 at the age of 42.

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My mind was spinning. I turned back around and saw the gallery with new eyes, the black and white stills framed in every direction. The same people buzzed through every which way. Couples, straight and gay. Grandparents, adults, children. They gave the gallery every bit the attention that the did the Christian arts and the gardens. My ears perked up, trained to be ready for people muttering about a gay couple getting their own gallery, about the immorality of it all. I wait for someone to be disgusted. And no one is.

What has Utah done to me, I wonder. I remember seeing a ballet just a few weeks ago with two women kissing in the number, and many in the audience turning away, scoffing in disgust, refusing to clap. I remember walking around town holding hands with a guy I was dating and people averting their eyes or giving looks of shock and disgust.

And then I stand here in this spot, in between the arts of Christianity and still photographs. Both galleries have nudity. Both are considered art. Both tell the stories of their painters. These two worlds that Utah tries to balance, art and art, Christianity with homosexuality, and yet here families and children walk through comfortably without notice.

I breathe in deeply, my heart full, and feel a few small tears in my eyes. This is what I needed, a chance to see life here, like this.

It is a feeling I will carry with me when I return.